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5SurprisingFactsAboutCatherine

Empress Catherine II before the Mirror, 1779, Vigilus Eriksen / State Russian Museum, St. Petersburg, Russia / Bridgeman Images

Empress Catherine II before the Mirror, 1779, Vigilus Eriksen / State Russian Museum, St. Petersburg, Russia / Bridgeman Images

Catherine was expert at self-promotion. No queen since England’s Elizabeth I disseminated her portraits as widely. She encouraged her images to go viral in painting, sculpture, and decorative arts.

“Two Lovers”, Giulio Romano, c. 1525, State Hermitage Museum

“Two Lovers”, Giulio Romano, c. 1525, State Hermitage Museum

Catherine scandalized contemporaries with her racy private life, but she was prudish about art. Reflecting the Enlightenment ideal of self-control, Catherine found the near-naked couple in Two Lovers vulgar and banished the canvas to storage.

The Raphael Loggia, State Hermitage Museum, © Niblewit | Dreamstime.com

The Raphael Loggia, State Hermitage Museum, © Niblewit | Dreamstime.com

Catherine never left Russia. An avid arm-chair traveler, she turned to books for artistic inspiration, notably a replica of Raphael’s Vatican Loggia for the Winter Palace.

 

 

Portrait of Prince Gregory Potemkin ©1790, Johann Baptist Lampi / Hermitage, St. Petersburg, Russia / Bridgeman Images

Portrait of Prince Gregory Potemkin ©1790, Johann Baptist Lampi / Hermitage, St. Petersburg, Russia / Bridgeman Images

After their affair ended, Catherine and military hero Gregory Potemkin remained utterly devoted. She turned him into one of the world’s wealthiest and most powerful men, lavishing him with art and palaces. In return, Potemkin gave her an angora cat she called “the cat of all cats.”

Portrait-of-Grand-Dukes-Alexander-Pavlovich-and-Constantine-Pavlovich

Grand Dukes Alexander and Constantine, Richard Brompton, 1781, State Hermitage Museum

Catherine hijacked her two eldest grandsons at birth. From their names and diets to clothing and tutors, she controlled their upbringing, preparing them to rule. Despite her own miserable arranged marriage, she would choose disastrous spouses for many of her grandchildren.

 

catherines-Masterpieces

“I’m not a connoisseur, I’m a glutton.” — Catherine the Great

SusanJMasterpiece

Return of the Prodigal Son, © 1668-69, Rembrandt Harmensz. van Rijn / Hermitage, St. Petersburg, Russia / Bridgeman Images

Return of the Prodigal Son, © 1668-69, Rembrandt Harmensz. van Rijn / Hermitage, St. Petersburg, Russia / Bridgeman Images

 

Judith (oil on panel), Giorgione,/ Hermitage, St. Petersburg, Russia / Bridgeman Images

Judith (oil on panel), Giorgione,/ Hermitage, St. Petersburg, Russia / Bridgeman Images

 

 

catherine's Masterpieces

A12_The Chinese Palace at Oranienbaum by Antonio Rinaldi Konstik Dreamstime.com

The Chinese Palace at Oranienbaum by Antonio Rinaldi © Konstik | Dreamstime.com

A09_Pavlovsk Palace, Charles Cameron, Viacheslav Dyachkov Dreamstime.com

Pavlovsk Palace by Charles Cameron, © Viacheslav Dyachkov | Dreamstime.com

A08_Gatchina Palace by Antonio Rinaldi, Pavel Savchenkov Dreamstime.com

Gatchina Palace by Antonio Rinaldi, © Pavel Savchenkov | Dreamstime.com

A04_Cameron Gallery view,Tsarskoe Selo photo by Ruth Cousineau (1)

View from the Cameron Gallery, photo by Ruth Cousineau

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